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Alice’s Adventures in Wonderland. Family at the Ransom Center day

Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and enjoy free activities for the young and young in mind. You can easily take part in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or build relationships Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times into the theater. Family days are generously supported by a grant through the Austin Community Foundation, with in-kind support given by Terra Toys.

Below is a schedule that is detailed

Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead writing activities at the top of the hour from 10 a.m. through 4 p.m.

Join a tour that is docent-led of exhibition at noon, 2 p.m., and 4 p.m.

Enjoy story time when you look at the theater at 1:15 p.m. and 3:15 p.m.

Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.

Complete Lewis Carroll–inspired math activities with Math Happens while you tour the galleries.

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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors

The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The movie strips portray two of the most extremely memorable elements of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and kept in colorfully printed little boxes. The Movie Jecktors might have been combined with a toy film projector to create a simple animation.

The Ransom Center’s Movie Jecktors required conservation before they could be safely displayed in the galleries. Both the wooden dowel as well as the storage box, which is manufactured from wood pulp cardboard, had a acid content that is high. An acidic environment is damaging to paper. The Movie Jecktors had become brittle and discolored, and there were many tears and losses towards the paper. The film strips was indeed repaired in past times with pressure-sensitive tapes (the common tape we all use to wrap gifts). These tapes will never be suitable for repairing paper that people desire to preserve because they deteriorate and frequently darken over time and are also difficult to remove once set up.

Due to the fact Ransom Center’s paper conservator, I removed the tapes using a tool that is heated reduced the remainder adhesive using a crepe eraser. I mended the tears and filled the losses using paper that is japanese wheat starch paste. For the what is ninjaessays fills, the Japanese paper was pre-toned with acrylic paint to permit these additions to blend with the original paper. Regions of ink loss are not recreated.

Visitors to the exhibition can see the aspects of the filmstrips which were damaged, but those areas are now stabilized and less distracting. This sort of treatment reflects the practice of conservation to preserve, but not “restore,” the object’s original appearance. Libraries, archives, and museums today often select the conservation approach because it allows researchers as well as other visitors an improved comprehension of the object’s history, including damages that occurred, which might talk with the materials found in the object’s creation.

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Please click on thumbnails to enlarge images.

Easter hours weekend

The Ransom Center will soon be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.

Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are required.

Admission is free. Your donation will support the Ransom Center’s exhibitions and public programs. Parking information and a map are available online.

Please additionally be aware that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on April 4 saturday.

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John Crowley, whose archive resides during the Ransom Center, is an American composer of fantasy, science fiction, and mainstream fiction. He published his first novel, The Deep, in 1975, and his 14th amount of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He has taught writing that is creative Yale University since 1993. A particular 25 th -anniversary edition of his novel Little, Big may be published this spring. Below, he shares how Lewis Carroll’s Alice’s that is classic Adventures Wonderland influenced their own work.

A crucial ( sense that is best) reader of might work once wrote a whole essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice sort of title to begin with. Some of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained in me which they simply form section of my vocabulary. I first heard them read out loud: my older sister read them to me whenever I was about eight years of age. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for several books read or heard at certain moments in childhood, there’s absolutely no first reading: such books enter the mind and soul as though they had always been there. I actually do remember my response to Through the Looking Glass: i discovered it unsettlingly weird, dark, dreamlike (it is in reality the greatest dream-book ever written). The shop where in fact the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing and the sheep when you look at the stern knitting (!)—it wasn’t scary, however it was eerie as it so exactly replicated the movements of places and things and individuals within my dreams, of that we was then becoming a connoisseur. How did this written book learn about such things?

Another connection that is profound have with Alice I only discovered—in delight—some years back in (of all of the places) the Wall Street Journal. In an article about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel, this neurological condition makes objects (including one’s own body parts) seem smaller, larger, closer or maybe more distant than they are really. It’s more common in childhood, often in the onset of sleep, and might disappear by adulthood…”

We have tried to describe this syndrome to people for decades, and never once met anyone who recognized it from my descriptions. In my opinion it’s more odd an atmosphere than this, and much more ambivalent: I feel (or felt, as a kid, hardly ever any longer) as though my hands and feet are billions of miles distant from my head and heart, but at the time that is same am enormously, infinitely large, and so those parts are in exactly the same spatial relation to myself as ever, if not monstrously closer. It had been awesome within the sense that is strict not scary or horrid, uncomfortable but also intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it back at my resume: “John Crowley was born in the appropriately town that is liminal of Isle, Maine, and as a kid suffered from or delighted in Alice in Wonderland syndrome.”


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